gillian huntley

Gillian is an artist based in Toronto, Canada (originally from the Pacific Northwest), who works predominantly with textiles, paper and text. With experience working in both prestigious institutions and private historical collections, and taking leading roles in community arts initiatives, she brings a comprehensive skill set to all that she does. Gillian has had success behind-the-scenes and in front-facing roles, in exhibition curation, digital content creation, and operational efficiency in art spaces. Her artistic practice, which focuses mainly on textile and paper media, explores themes of interrelationship and embodied presence. She is passionate about fostering connection, healing and collaboration in the lives of creative people. As part of her role as a guide and coach to other creatives online and in her community, she hosts seasonal gatherings (The Hearth) for creatives to meet themselves and each other in conversation and collective healing.

The roots of her artistic work as well as her work with others one-on-one and in groups extend all the way through her own experience as a self-taught artist, back to her wildly expressive childhood. As she got older, it became more difficult to believe in and stand up for her innate creative abiities and actually move forward on her path as an artist and intuitive. She has for the last 8 years dedicated her life to recovering her own creativity, her own expressive power and voice, and now devotes her life to living that artistic dream and also helping others heal and recover from their own experiences of creative repression. Her work, in all its various expressions, finds common soil in the praxes of somatics, ecology, and spirituality. Agnes Martin, Lenore Tawney, Helen Frankenthaler and Koji Enokura are major influences for her visual art.

artist statement

“My work explores themes of devotion, interconnectivity, presence and place. Generally speaking, I approach most of my work with an intuitive, abstract and emotional process of feeling and sensing as I make each mark/movement. I find this process to be meditative and it brings me into the present moment completely, allowing the works to embody a kind of portal or experience. My weavings and drawings often reference tree bark, river systems or topography, and I call them “love letters” because they feel like a language that I am speaking back - with a kind of romance and longing - to the environments that I love. Every aspect of the exploration of shape, colour and form is an embodied ode to my world. It is a reflection, a poem. Specifcally with my textile practice, I find the metaphor-rich processes of weaving, spinning and stitching to be a direct link to deep memory, my own intuition, and the liminal space where all is connected, where everything is becoming.

I am motivated in my life and work by eco-social harmony and the nature of interrelationship. My weaving practice responds to the twined and netted nature of existence that I am so enraptured by, and I aspire to bring my writing and drawing/paper practices - as well as my community work! - into the same field of expression.”

artist CV

EXHIBITION

May 2025Untitled exhibition, Now & Later, Toronto, ON, Canada 

Nov 2024- present S&S, Toronto, ON, Canada

June 2023-presentCosmic Threads, Electra Gallery, Santa Fe, NM, USA 

Jun-Dec 2022Conversations with Land, 276 Sterling Studio, Toronto, ON, Canada

RESIDENCY

Jan-Feb 2025Residency Program, Music Gallery, Toronto, ON, Canada 

WORK EXPERIENCE

Shape and Space Art Rentals and Framing, Toronto, ON
Art Assistant, In-House Artist | 2024 - Ongoing

Vancouver Mural Festival, Vancouver, BC
Community Engagement | 2022

Victoria and Albert Museum, London, U.K.
Research Assistant | 2019

Past Pleasures Ltd, Surrey, U.K.
Archivist | 2019

Hatch Gallery, Vancouver, BC
Junior Events Coordinator | 2014–2016

ArtLife Foundation, Vancouver, BC
Curatorial Assistant | 2014-2018

Pop-Up Galleries, Vancouver, BC
Gallery Attendant | 2014-2018

MEMBERSHIPS

Etobicoke Weavers and Spinners Guild, Toronto, ON | 2024–Ongoing
Salt Spring Island Weavers and Spinners Guild, Salt Spring Island, BC | 2021–2022
Association of Dress Historians, London, U.K. | 2019–2021

EDUCATION

Gardiner Museum, Toronto, ON
Course: Wheel Throwing and Hand Sculpting (Hatice Erdogan) | Oct-Dec 2023

Textile Arts Center, NYC and Brooklyn, NY
Workshops: Weaving, Natural Dye, Block Print, Silk Painting | 2018–2019

University of Glasgow, Glasgow, U.K.
Master’s Degree: MLitt, Art History: Dress and Textile Histories | 2019–2021

University of British Columbia, Vancouver, Canada
BA, Art History: Western Art and Architecture | 2014–2017

dreamscapes

This series of works is made with coloured paper. Each work suggests a world or an experience of space and form. These works are like portals into a felt sense, a sensation, or a memory. Where we are is not important. This series evokes a dream-like space, and intrigues the viewers own imagination, allowing them to intuitively feel into a world that extends beyond their own.

conversations with the land

this series of weavings and drawings …

meditations

this series of works centres

a look at my process

contact me

studio@gillianfhuntley.com

phone: 604-368-0498

address: 38 Havelock St. Toronto, ON, M6H 3B5